Word & Image Interactions: Table of Contents

PROCEEDINGS

Word & Image Interactions
A Selection of Papers Given at the Second International Conference on Word and Image
Universität Zürich, August 27-31,1990

Edited by Martin Heusser
in collaboration with Max Nänny, Peter de Voogd and Hans A. Lüthy
1993, Wiese Verlag Basel
ISBN 3-909158-56-0

Contents

INTRODUCTION
Martin Heusser: “‘The Ear of the Eye, the Eye of the Ear’: On the Relation Between Words and Images.” 13-19

TEXT
Richard Bradford: “‘Silent Poetics’. Visualist Reading in the Eighteenth Century.” 23-27
Anne-Marie Christin: “Aux origines de l’image abécédaire.” 29-33
Béatrice Fraenkel: “La signature et le rébus du nom propre.” 35-40
Joanne S. Norman: “Text and Image in Medieval Preaching.” 41-52
David Scott: “Epigraphic Structure in the Nineteenth-Century French Prose Poem.” 53-60
Fritz Senn: “Transmedial Stereotypes in the ‘Aeolus’ Chapter of Joyce’s Ulysses.” 61-68
Marie France Wagner: “La Conquête de la Toison d’or, spectacle emblématique.” 69-72

ILLUSTRATION
John Anzalone: “Jean de Boschère and the Book of Trades.” 75-84
Renée Riese Hubert: “The Four Dimensional Book.” 85-95
John Dixon Hunt: “Making Vergil Look English.” 97-107
Philippe Kaenel: “Allégories, rébus, hiéroglyphes: J.-J. Grandville et les ‘images ingénieuses’.” 109-122

THE SISTER ARTS
Claire Farago: “Leonardo de Vinci’s Defense of Painting as a Universal Language.” 125-133
James A.W. Heffernan: “Painting against Poetry: Reynolds’ Discourses and the Discourse of Turner’s Art.” 135-141
Deirdre Reynolds: “Rhythmic Structure and Imaginary Space in Rimbaud, Mallarmé, Kandinsky and Mondrian.” 143-156

PAINTING
Paul J.C.M. Franssen: “”Lovelier in Her Tears’: The Crying Gypsy Girl and Other Fair Weepers.” 159-172
J. Hillis Miller: “Image and Word in Turner.” 173-189
Clara Orban: “The Function of Words on Boccioni’s Canvas.” 191-196

PHOTOGRAPHY AND FILM
Nicole de Mourgues: “Lire, voire et entendre … deux ou trois choses sur le génériques de Godard.” 199-207
Peter Halter: “Distance and Desire: Wright Morris’ The Home Place as ‘Photo Text’.” 209-221
Blaise Tobia: “From Resistance to Embrace: Text/Image Relationships in 20th-Century Fine-Art Photographic Practice.” 223-234

VARIA
Diane Brentari: “Phonological Constituents of Signed Languages.” 237-242
Joseph Grigely: “The Implosion of Iconicity.” 243-250
Lauren S. Weingarden: “‘Ut Poesis Architectura’: Louis H. Sullivan’s Architectural Means of Poetic Expression.” 251-263

NOTES ON CONTRIBUTORS AND EDITORS 267