Text and Visuality. Word & Image Interactions III: Table of Contents

PROCEEDINGS

Text and Visuality. Word & Image Interactions III

Editors: Martin Heusser, Michèle Hannoosh, Leo Hoek, Charlotte Schoell-Glass & David Scott
Published by Editions Rodopi (Amsterdam/Atlanta), 1999.

Contents

THEORETICAL CONSIDERATIONS
Mieke Bal: “Basic Instinct and Their Discontents” 13-32
Hanjo Berressem: “One Surface Fits All: Texts, Images and the Topology of Hypermedia” 33-43
Hugo Caviola: “The Rhetoric of Interdisciplinarity” 45-55
Andrew Rothwell: “Bernard Noël: Espace, Regard, Sens” 57-64
Nigel Saint: “Pour l’amour d’un plaisir sévère: Following Louis Marin” 65-75
Áron Kibédi Varga: “Entre le texte et l’image: une pragmatique des limites” 77-92
Tamar Yacobi: “The Ekphrastic Figure of Speech” 93-101

PAINTINGS, PRINTS AND PHOTOGRAPHS
Leo H. Hoek: “Le titre à l’oeuvre. Manet, modernisme et institutions” 105-116
Shigemi Inaga: “The Painter Who Disappeared in the Novel: Images of an Oriental Artist in European Literature” 117-127
Debra Kelly: “A Reading of the Structures of La Guerre (1916) by Pierre Albert-Birot” 129-138
Laura Malosetti Costa: “Poetic Painting and Picturesque Poetry: Literature and Visual Arts in the Emergence of National Symbolic Repertoires in the River Plate Area” 139-152
Jürgen Müller: “News from Plato’s Cave: Jeff Wall’s A Sudden Gust of Wind and Dead Troops Talk” 153-162
Clara Orban: “Bruised Word, Wounded Images, in Frida Kahlo” 163-171
Véronique Plesch: “Pictorial ars praedicandi in Late Fifteenth-century Paintings” 173-186
Ruth Rennie: “Visual Representations of Political Discourse: The Example of the French Communist Party Between the Wars” 187-196
Charlotte Schoell-Glass: “En grisaille – Painting Difference” 197-204

BOOKS, TYPOGRAPHY AND OTHER MEDIA
Francis Edeline: “Le Roi Arthur et la sémiotique visuelle” 207-218
Eric T. Haskell: “IMAGinING the Text: Baudelaire’s Parfum Exotique” 219-228
Will HIll: “The Digital Scriptorium. Towards a Pre-Gutenberg Perspective on Contemporary Typographic Practice” 229-234
Renée Riese Hubert: “From ‘Things as They Are’ to What They Become: From Illustration to Bookwork” 235-247
Yves Jeanneret: “Matérialités de l’immatériel. Vers une sémiotique du multimédia” 249-257

BEYOND MERE WORD AND IMAGE
Burratoni & Abrioux: “Ektopias: Two Landscapes of the Ideal” 261-269
Penny Florence: “Touching Gender: The Word, the Image and the Tactile. Barbara Hepworth’s ‘Stereognostic’ Sculpture” 271-282
Dario Gamboni: “Jasper Johns, Richard Hamilton et ‘le critique’, 1959-1980” 283-294
Kenneth G. Hay: “Generic Specificity and the Problem of Translation in Galvano Della Volpe” 295-307
John Dixon Hunt: “Word & Image in the Garden” 309-321