 Sixth International Conference On Word & Image
‘ORIENTATIONS: WORD & IMAGE’
Kunstgeschichtliches Seminar, Universität Hamburg, 21-27 July 2002
MONDAY 22 JULY
Word & Image in History and Historiography (Charlotte Schoell-Glass, Lauren S. Weingarden)
- 9.00 – 10.30 OPENING PLENARY SESSION
- Georges Didi-Huberman (EHESS, Paris) “Words, Winds, Image: Aby Warburg and the ‘Imaginary Breeze’ in the Quattrocento”
- 11.00 – 12.30 SESSIONS 1-3
- 1 La figuration cinématographique de l’histoire (Chair: Christian Delage)
- Fabrice Montebello (Metz) “La figuration du corps ouvrier dans le cinéma français”
- David Schreiber (EHESS, Paris) “The Trial of Klaus Barbie: the Face of the Witness”
- Andrea Grunert (Evangelische Fachhochschule, Bochum) “Andrezej Wajda et la Pologne idéalisée”
- 2 Aby Warburg (Chair: Nicholas Mann)
- Stimilli (Northwestern) “Motto and Image in Aby Warburg”
- Maurizio Ghelardi (Scuola Normale Superiore, Pisa) “The Biology of Image: Warburg, Masaccio and Darwin”
- Karen Michels (Hamburg) “‘Il faut penser à coté’: the Archive of William S. Heckscher”
- 3 W & I in History and Historiography: Art (Chair: Charles W. Haxthausen)
- Georg Traska (Trier) “The Utopian in the Real City of Siena”
- Else Jongeneel (Groningen) “Speaking Walls:: the ‘Cabinets d’amateurs'”
- Nicolas Galley (Fribourg) “Peintre sans pinceau ou l’historien dérouté”
- 14.00 – 15.30 SESSIONS 4-6
- 4 Mirrorings (I) (Chair: Lauren Weingarden)
- Lauren Weingarden (Florida State) “The Mirror as Metaphor of Baudelairean Modernity”
- Laura Malosetti Costa (Buenos Aires) “Images in Words for Modernism”
- Max Nänny (Zürich) “Formal Mirroring in Literary Texts”
- 5 Graffiti Reconsidered (Chair: Véronique Plesch, Béatrice Fraenkel)
- Véronique Plesch (Colby College) “Graffiti on Religious Frescoes: Questions and Models”
- Yuliya Komska (Cornell) “Pilgrim Graffiti on Bavarian Ex Votos”
- Carrie Noland (California, Irvine) “Graffiti and the Reinvention of Space”
- Béatrice Fraenkel (Sorbonne nouvelle) “Les écrits du désastre”
- 6 W & I in History and Historiography: Approaches (Chair: Charlotte Schoell-Glass)
- Pamela J. Warner (Delaware) “Goncourt Brothers and the Pictoriality of History”
- Christina Ionescu (Toronto) “Montesquieu”
- Gabriela Siracusano (CONICET, Buenos Aires) “South American Colonial Paintings”
- 16.00 – 17.30 SESSIONS 7-9
- 7 Mirrorings (I) (Chair: Lauren Weingarden)
- Diane Brown (Malacaster College) “Anxiety of Apprenticeship”
- Arne Koch (Kansas) “Conflicting Orientations and the Image of a National Chronicle”
- Fumiko T. Togasaki (Wittenberg) “Cosmopolitan ‘Innovators’ in Isolated Feudal Japan”
- 8 Artists as Writers and Book Art (Chair: Anne Bush)
- Kimberley A. Smith (Southwestern) “The Rhetoric of Expressionist Art”
- Gudula Mayr (Hamburg) “Ernst Barlach’s Illustrated Plays”
- Regine Rapp (Humboldt) “Tango with Cows: Russian Futurist Book Art”
- 9 W & I in History and Historiography: Perspectives (Chair: Michèle Hannoosh)
- Elisabeth Hodges (Miami) “Crossroads”
- Valentin Nussbaum (Fribourg) “Fin de siècle et troubles de l’identité”
- Carolin Meister (Berlin) “Walter Benjamin”
TUESDAY 23 JULY
The Politics of Media (David Scott, Ed S. H. Tan)
- 9.00 – 10.30 PLENARY SESSION
- Daniel Dayan (CNRS, Paris) “Rituals of Consensus, Rituals of Dissent: Visual Media and Their Public”
- 11.00 – 12.30 SESSIONS 10-12
- 10 Documentary, Journalism (I) (Chair: Ed Tan)
- Jeroen van der Zalm (VU Amsterdam) “Photographic Self Representation in Chiapas”
- Elke Grittman (Hamburg) “Strategies of Photojournalism and Journalism in German Newspapers”
- Ed Tan (VU Amsterdam) “Revenge and Appeasement in Screen Images. 09-11 and its Aftermath in the Dutch Television News”
- 11 Tableaux Vivants (Chair: Mario Klarer)
- Mario Klarer (Innsbruck) “Still Lives: Histories and Theories of Tableaux Vivants”
- Catriona MacLeod (Pennsylvania) “Perversion as ‘Tableau Vivant'”
- Peter M. McIsaac (Duke) “When the Female Body Speaks”
- 12Graphic Power (Chair: David Scott)
- Warren Brown (Trinity, Dublin) “Image as Political Tool”
- Etienne Samain (État de Campinas) “Les risques du texte et de l’image”
- Andreas Janser (Zürich) “On Typotecture: Typography as Architectural Imagery in Poster Art”
- 12.30 – 14.00 POSTER SESSION
- Warren Brown (Trinity, Dublin) “Image as Political Tool”
- Tim Gieser, Katherina Koester, Sebastian Pranghofer “Literally Seen”
- Heike Elisabeth Jüngst (Leipzig) “Translating Pictures”
- Kvetuse Lepilova (Ostrava) “The Communicative Trichotomy of Word, Image and Sound”
- Alan Prohm (Stanford) “Spatial Resources for a Visual Poetics”
- Gunnar Sandin (Lund) “Is It – A Site Description”
- David Scott (Trinity, Dublin) “The Smile of the Sign: Word and Image in French Travel Writing”
- Martin Warnke, Carmen Wedemeyer (Lüneburg) “Hypermedia Picture-Text-Archives on some of Anna Oppermann’s Ensembles”
- Richard Kelly Tipping (Newcastle/NZ) “Signing the City”
- 14.00 – 15.30 SESSIONS 13-15
- 13 Documentary, Journalism (II) (Chair: Ed Tan)
- Joan Kristing Bleicher (Hamburg) “Fakes and Frauds”
- Maria Lauber (Hamburg), “Italy’s Media System: Trend and Menetekel”
- Discussion
- 14 Cinema (Chair: Nathalie Roelens)
- Nathalie Roelens (Nijmegen) “La représentation de la barbarie”
- Kvetuse Lepilova (Ostrava) “Word, Image and Sound”
- Aarnoud Rommens (Leuven) “Christopher Nolan’s ‘Memento'”
- 15 Comics & Visual Literature (I) (Chair: Jan Baetens)
- Jan Baetens (Leuven) “Bande dessinée et écriture à contrainte”
- Claude Duée (Castilla La Mancha) “Là où le mot se fait image et où l’image se fait mot”
- Pascal Lefèvre (Leuven) “The Battle over the Speech Balloon”
- 16.00 – 17.30 SESSIONS 16-18
- 16 Sociology (Chair: Franco Ricci)
- Heinz Brüggemann (Hannover) “‘Tavole parolibere futuriste’: Aesthetic and Political Strategies”
- Joseph J. Tanke (Boston College) “Toward a Critique of Baudrillards Third Order Simulacrum”
- Franco Ricci (Ottawa) “You want to be an Italian but you were born in America, Argentina, Canada”
- 17 Consumerism (Chair: Rosalind Silvester)
- Rosalind Silvester (Trinity, Dublin) “Advertising and Consumerism”
- M. Enamul Huque (Toronto) “Paradoxical Information in the Public Sphere”
- 18 Comics & Visual Literature (II) (Chair: Jan Baetens)
- Ole Frahm (Hamburg) “Comics Laugh about their Origins”
- Roger Sabin (London) “Ally Sloper: First Comic Superstar?”
- Anne Magnussen (Syddansk) “C. S. Peirce’s Semiotics and the Understanding of Comics”
WEDNESDAY 24 JULY
- VISIT TO THE DOCUMENTA, KASSEL
THURSDAY 25 JULY
Contemporary Art/Post-Documenta (Eric T. Haskell, Martin Heusser)
- 9.00 – 10.30 PLENARY PANEL
- Jeremy Gilbert-Rolfe, Wolfgang Kemp, Monika Wagner, John Welchman
- 11.00 – 12.30 SESSIONS 19-21
- 19 Materiality and Mediality of Script and Writing in Contemporary Art (I) (Chair: Monika Wagner)
- Monika Wagner (Hamburg) “Introduction: Materiality and Mediality of Script and Writing in Contemporary Art”
- Aleida Assmann (Konstanz) “Writing Materials”
- Ines Lindner (Montréal) “Montage and Medial Transgressions – Effects of the Scriptural in Anna Oppermann’s Work”
- 20 Moving Images and Travelling Texts (Chair: Terence Diggory)
- Terence Diggory (Skidmore) “The Red Wheelbarrow goes Global”
- Wolfgang Kaiser (Hamburg) “Let Things Talk. A working Method derived from W. C. Williams”
- Bridget Sutherland (Auckland) “In the Art Hotel: Experimental Short Films”
- 21 Poetics (Chair: Eric T. Haskell)
- Alan Prohm (Stanford) “Spatial Resources for Visual Poetics”
- Friedrich Block (Kassel) “Digital Poetics”
- 14.00 – 15.30 SESSIONS 22-24
- 22 Materiality and Mediality of Script and Writing in Contemporary Art (I) (Chair: Monika Wagner)
- Karlheinz Lüdeking (Nürnberg) “The Signature”
- Anne Hoormann (Weimar) “Lighting Words. Neon as Medium and Material in Contemporary”
- Sonja Neef (ASCA) “Written On Skin. Tattoo, Writing, Image”
- 23 Adaptations (Chair: John Welchman)
- John Welchman (California, San Diego) “Introduction to Word & Image in Cinema”
- Martine Beugnet, Marion Schmid (Edinburgh) “Filming Jealousy: Chantal Akerman”
- Evelyn Preuss (Yale) “The Censorship of Trace of Stones”
- 24 Contemporaneity of Myth
- Mario Klarer (Innsbruck) “Sexing Word, Image and Motion”
- Maya Huber (Zürich) “The Disappearance of the Text: from Neon Billboards to the Guggenheim in the Desert”
- 16.00 – 17.30 SESSIONS 25-27
- 25 Variations of Art and Forms (Chair: Clara Orban)
- Clara Orban (DePaul) “Cocteau: Performance, Word and Images”
- Leslie S. Curtis (Carroll) “Janet Cardiff’s ‘Audio-Walks'”
- Wilton Azevedo (Mackenzie) “On the 2nd Interpoetry Exhibition”
- 26 Metaphors in Movement (Chair: Dee Reynolds)
- Dee Reynolds (Manchester) “Introduction: Metaphors in Movement”
- Jools Gilson-Ellis (Cork), Richard Povall (South Brent) “On ‘Spinstren'”
- Sophia Lycouris (London) “On ‘Bodysight'”
- 27 Illustration (Chair: Eric T. Haskell)
- Martin Antonetti (Smith College), Véronique Plesch (Colby College) “From Image to Word: The Books of Lucie Lambert”
- Eric T. Haskell (Scripps) “Drawn to the Page: Hamlet and Illustration as Interpretation”
FRIDAY 26 JULY
Mapping & Visualisation (Leo Hoek, Hans Lund)
- 9.00 – 10.30 SESSIONS 28-30
- 28 Cartography I – Celestial Projections (Chair: Justus Fetscher)
- Philippe Despoix (Montréal) “Orientation cartographique et le problème de la longitude”
- Kathleen Lundeen (Western Washington) “Mapping Infinity”
- Justus Fetscher (FU Berlin) “The Zodiacal Signs as a Tool Box and Arsenal (17th and 18th Centuries)”
- 29 Mapping in Literature – Logotypes (Chair: Hans Lund)
- Claus Clüver (Indiana) “Towards a Typology of the Logo”
- Massimo Leone (Siena) “From Textures to Texts: Interweaving Words and Images”
- Hans Lund (Lund) “Alma Mater’s Changing Face”
- 30 Scientific Images (I) (Chair: Leo Hoek)
- Angela Fischel (Helmholtz-Zentrum) “Microscopic Evidence”
- Ulrik Ilg (Kunsthistorisches Instutut, Florenz) “Mapping Mankind in the 16th Century”
- Francis Edeline (Liège) “S’orienter dans l’espace des couleurs”
- 11.00 – 12.30 SESSIONS 31-33
- 31 Cartography II – Cartography and Fiction (Chair: Philippe Despoix)
- Christian Berkemeier (Paderborn) “Mapping Poe and Melville”
- Christina Ljungberg (Zürich) “Cartographic Strategies in Contemporary Fiction”
- Robert Stockhammer (FU Berlin) “OceanoGraphies”
- 32 Mapping in Literature – Ekphrasis (Chair: Leo Hoek)
- Dorine Gorter (Utrecht) “Reverdy sur l’art”
- François Blumenfeld-Kouchner (Fontenay-sous-bois) “Ekphrasis dans Chateaubriand’s nouvelle”
- Tamar Yacobi (Tel Aviv) “Ekphrasis as a Mirroring between Doubles”
- 33 Scientific Images – Photography (Chair: Hans Lund)
- Friedrich Tietjen (Maastricht) “Photography as a Means of Art History”
- Thomas Fechner-Smarsly (Bonn) “Question of Photographic Vision”
- Richard Kelly Tipping (Newcastle/NZ) “Signing the City”
- 14.00 – 15.30 SESSIONS 34-36
- 34 Cartography III – Cartography and Art (Chair: David Scott)
- Susanne Düchting (Essen) “Contemporary Artists as a Cartographers”
- Deborah Schultz (Sussex) “The Conquest of Space”
- 35 Gestures as a Basis of Culture (I) (Chair: Roland Posner)
- Roland Posner (TU Berlin) “What Gestures Can Say about Dreams”
- Anette Rose (Berlin) “Sixteen Dream Fragments”
- Posner/Rose “Discussion: The Dream Experience and Its Presentation in the Media”
- 36 Writing and Viewing in the Garden (I) (Chair: John Dixon Hunt)
- Raffaella Fabiani Giannetto (Pennsylvania) “Writing the Garden in the Age of Humanism: Petrarch and Bocaccio”
- Claire Goldstein (Miami Univ. of Ohio) “Collecting Versailles”
- Giulia Pacini (Coll. of William and Mary) “Signs and Sites of Friendship in Delille’s ‘Les Jardins'”
- 16.00 – 17.30 SESSIONS 37-39
- 37 Cartography IV – Travel Writing (Chair: David Scott)
- David Scott (Trinity, Dublin) “The Smile of the Sign: Word and Image in French Travel Writing”
- Anne Bush (Hawai’i) “Reviewing Rome”
- 38 Gestures as a Basis of Culture (II) (Chair: Roland Posner)
- Ellen Fricke (TU Berlin) “Pointing and Orientation”
- Monique Moser-Verrey (Laval) “Sociabilité et gestuelle dans la nouvelle Française du XVIII siècle”
- Birgitte Stougaard (Aarhus) “Gestures and the Musicality of Language”
- 39 Writing and Viewing in the Garden (II) (Chair: John Dixon Hunt)
- Liliane Weissberg (Pennsylvania) “From ‘Werther’ to Weimar: Goethe’s Perspective on Landscape”
- Zsófia Bán (Budapest) “Goethe’s ‘Elected Affinities'”
- Susanne Prinz (Berlin) “Black & White Garden”
SATURDAY 27 JULY
- 9.00 – 10.30 SESSIONS 40-42
- 40 Between Technics & Time (I) (Chair: Laura Chiesa)
- Bernard Stiegler (IRCAM) “Perdre le Nord: la guerre – venir de l’orientation”
- Helmut Müller-Sievers (Northwestern) “Anatomy and Disorientations in Georg Büchner”
- 41 Orientations/Disorientations (I) (Chair: Peter de Voogd)
- Valerie Mainz (Leeds) “Fabre’s ‘La Vision de Saül’: History Painting as Otherness”
- Margaret MacNamidhe (Johns Hopkins) “Oriented to David: Delacroix’s Paintings”
- Maria Scott (Univ. College, Dublin) “Baudelaire’s ‘La Corde’ as Anamorphic Mystification”
- 42 Cultural Memory (I) (Chair: Michèle Hannoosh)
- Richard Hobbs (Bristol) “Inventing Cultural Memory”
- Rebecca DeRoo (Washington, St. Louis) “Boltanski’s Critique of the Museum”
- Kirsty Bell (Toronto) “Ars memoriae”
- 11.00 – 12.30 SESSIONS 43-45
- 43 Between Technics & Time (II) (Chair: Bernard Stiegler)
- Laura Chiesa (California, Los Angeles) “Differential Orientability: Technics and Architecture”
- James Tobias (California, Riverside) “Between Technics and Time: Disorientations of the Memoire Gauche”
- Deborah Levitt (Southern California, Los Angeles) “Gesture as/is Image”
- 44 Orientations/Disorientations (II) (Chair: Peter de Voogd)
- Charles W. Haxthausen(Williams College) “Between Impressionism and Cubism”
- Sakari Katajamäki (Helsinki) “Visual Nonsense – Disorienting the Reader”
- 45 Cultural Memory (II) (Chair: Michèle Hannoosh)
- Marijke Jonker (VU Amsterdam) “Poussin and the Cultural Memory of France”
- Stephanie Moore Glaser (Indiana) “Gothic Architecture”
- Ursula Reidel-Schrewe (Colby College) “The Burial Place of ‘Heimat'”
- 14.00 – 15.30 CLOSING PLENARY SESSION
 |
Orientations: Space/Time/Image/Word. Word & Image Interactions V
Editors: Claus Clüver, Véronique Plesch and Leo Hoek
Published by Editions Rodopi (Amsterdam/New York NY), 2005. |
Contents
Charlotte SCHOELL-GLASS: “Introduction” xi-xvi
HISTORY AND IDENTITY
Pamela J. WARNER: “‘To Paint the Color of Things’: The Goncourt Brothers and the Pictoriality of History” 3-16
Lauren S. WEINGARDEN : “The Mirror as a Metaphor of Baudelairean Modernity” 17-36
Valentin NUSSBAUM : “À l’ombre des portraits en fleurs: Symbolisme et troubles de l’identitè de Whistler à Hitchcock” 37-50
Andrea GRUNERT : “L’Histoire transformée en légende: Andrzej Wajda et la Pologne idéalisée” 51-62
CULTURAL MEMORY
Marijke JONKER : “‘From Death and Despair to Hope’: Géricault, Poussin, and Cultural Memory in France” 65-76
Stephanie A. GLASER : “‘Deutsche Baukunst’, ‘Architecture Française’: The Use of the Gothic Cathedral in the Creation of National Memory in Nineteenth-Century Germany and France” 77-91
Nathalie ROELENS : “La Représentation de la barbarie en littérature, en peinture et au cinéma” 93-106
TEXTS AND PHOTOGRAPHS: CULTURAL ANTHROPOLOGY AND CULTURAL MEMORY
Étienne SAMAIN : “Les Risques du texte et de l’image: Autour de Balinese Character (1942), Gregory Bateson et Margaret Mead” 109-123
Rebecca J. DEROO : “Boltanski’s Display at the Documenta 5: Personal or Cultural Memory?” 125-139
Ursala REIDEL-SCHREWE : “The Burial Place of Heimat” 141-151
MIXED-MEDIA TEXTS: CARTOGRAPHY IN CONTEMPORARY ART AND FICTION
Christina LJUNGBERG : “Cartographic Strategies in Contemporary Fiction” 155-172
Susanne DÜCHTING : “The Interaction of Art and Cartography in the Work of Simon Patterson and Susanne Weirich” 173-182
MIXED-MEDIA TEXTS: ‘YELLOW-COVER BOOKS’, ARTISTS’ BOOKS, AND COMIC STRIPS
Fumiko T. TOGASAKI : “Defiance from Within: Cosmopolitan ‘Innovators’ in Isolated Feudal Japan” 185-197
Regine RAPP : “Tango with Cows: Russian Futurist Book Art” 199-213
Véronique PLESCH : “From Image to Word: The Books of Lucie Lambert” 215-228
Claude DUÉE : “Là où le mot se fait image et où l’image se fait mot: Nouvelle bande dessinée et bande dessinée d’avant-garde” 229-243
INTERMEDIA TEXTS: LOGOTYPES
Hans LUND : “Alma Mater’s New Face: From University Seals to University Logos” 247-261
Claus CLÜVER : “Mini-Icons: Letterforms, Logos, Logopoems” 263-285
SPACE, SPATIALIZATION, VIRTUAL SPACE
Massimo LEONE : “On the QuincunX” 289-304
Carrie NOLAND : “Graffiti and the Reinvention of Space” 305-317
Alan PROHM : Resources for a Poetics of Visual Poetry” 319-335
James TOBIAS : “Gesture, Techniques, and Time: Disorientation at the Interface” 337-351 |
